Thursday, 15 August 2013

Cromwell versus Walpole Part One: Too much. Too Young, Too fast.

A2 History Coursework: 

Just to prove I'm not dead, here is some coursework for you, presented to you in a glorious four part post. Yes, it's History, not English Literature, shoot me. However, if you have an interest in the development of the office of Prime Minister in comparison to the office of Lord Protector, then one, I must wonder why you have such a specific historical interest, and two, enjoy this poorly expressed, mark hunting argument!

P.S.- I know Walpole wasn't officially recognised as Prime Minister. Shush. I had a word count.

P.P.S- Prepare for a buttload of footnotes in the name of sources.

P.P.P.S- Horrible Histories is a legitimate source.

P.P.P.P.S- This is just getting ridiculous. Feel free to add your own opinions in the arguments, if I can reply, I will, and we shall have a considered, well reasoned debate (JK)

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‘The office of Lord Protector failed to survive Oliver Cromwell, whereas the office of Prime Minister has long outlived Robert Walpole’
Why did the death of Cromwell in 1658 lead to institutional change, whereas the fall of Walpole led to institutional continuity?
Consider this problem in light of the constitutional developments between 1649 and 1750

            In 1660, following the death of Oliver Cromwell and the army revolution that drove his successor, Richard Cromwell, to resign, Charles Stuart was called from exile to be crowned King of England. Years of internal conflict and numerous attempts to reform the system of government had all been in vain, the monarchy had been restored. So why did the office of Lord Protector fail? A combination of Cromwell attempting too much, too fast, and questionable legitimacy of the office. In contrast, after Robert Walpole resigned from his multiple offices, the position of Prime Minister remained intact. The increase of ministerial power and constitutional change was steady, and sanctioned by the Monarch, giving it legitimacy and a stability that the office of Lord Protector lacked.

Part 1: Too much. Too young (eh, not really), Too fast.

            Over the course of the Interregnum, Cromwell attempted too many changes, too quickly, to the system of government that dictated the power balance of conservative England. The first of these came after the end of the English Civil War; On the 29th January 1649, Cromwell and his 58 contemporaries signed the disgraced Charles I's death warrant, advocating regicide. The Parliamentarians may not have been the first to commit regicide, but Tumath argues that 'The execution of Charles I was different from those of Edward II, Richard II, and Henry VI. While those three monarchs were done away with in the darkest depths of this or that castle, the execution of Charles was a public event'[1]- Indeed, Charles was executed in a very public beheading. This execution signalled the end of seven years of warfare and uncertainty, the country was exhausted- but that didn't mean that the people of England were willing to see their divinely appointed monarch executed as a criminal. The country was still heavily religious, religion being one of the driving forces behind the English Civil War and would eventually plague the Interregnum. Executing the monarch completely undermined the concept of divine right that the system of government was based on. To execute him was not only a radical course of action, but also an unpopular one amongst the divided country.

            Cromwell's radicalism didn't end with the execution of the monarch. One of his main aims throughout the period of the Interregnum was to establish freedom of religion. This radicalism faced huge opposition within the Parliaments, as it contrasted with the desires of many leading Parliamentary groups throughout the various sessions. In the 1653 Nominated Assembly the moves towards religious toleration were blocked by the Conservatives, despite the idea of religious toleration appeasing the other leading group in the session, the radical Fifth Monarchists, who discussed reform over the treatment of the ill and the law, but came into conflict with the religious conservatives over religious reform. Opposition to the idea of religious toleration was so great that the Conservative members of Parliament met secretly in December 1653 and opted to dissolve themselves. Cromwell displayed one of his many instances of political uncertainty by sanctioning the dissolution, believing that the Fifth Monarchists, who he had previously supported, were too radical. Similarly the Presbyterians of the First Protectorate Parliament (1654-1655) opposed religious toleration, preferring the idea of one unified church, eliminating the threat of extremist religious sects. J.H. Merle  D'Aubigne argued that Cromwell's 'enemies were entirely blind to the spirit of that love which possessed him' [2], implying that Cromwell's radicalism was stemmed in his strong religious beliefs. However, what D'Aubigne neglects to mention is that his 'enemies' were simply gentlemen with different- and often far more stable- political ideologies, and, more importantly, mostly different religious views to him. It was difficult to support Cromwell wholeheartedly because he would move between radicalism and conservatism almost instantaneously, for where he came to loggerheads with Parliament concerning religion, he made no attempt to allow the common man to represent his views in elections, with the vote only being offered to gentlemen with an an annual income of £200. 

            Another set of changes that proved to be unpopular was the transfer of an intimidating amount of power to Cromwell through John Lambert's 1653 Instrument of Government. Despite the ancient title, Lord Protector, being steeped in tradition, the powers that this new form of office granted him led to it being rightly described as 'kingship in all but name'[3]. One of the major causes of discontentment in the First Protectorate Parliament in September 1654 was the controversial nature of the powers Cromwell now wielded, but also the fact that no elected members of Parliament had been consulted about the creation of the office, leading them to refuse to pass any of Cromwell's ordinances when called to session.

            Linked directly to the failure of the First Protectorate Parliament was the conception of the rule of Major Generals between 1655 and 1657. As a whole, the public greatly disliked military influence, associating the profession with violent, drunken ruffians, having been 'reared on the seventeenth century notion of brutal soldiery' [4]. However, it is important to note that whilst this may have been the general opinion, not all of the individual Major Generals were viewed so negatively; being a heterogeneous group, the Major Generals imposed their authority as they saw fit. For example Worsley, who had control over Lancashire, Staffordshire, and Cheshire was renowned for his unwavering attempts to impose central morality on the citizens under his jurisdiction, and was rumoured to have closed over 200 ale houses. On the other hand, Gough, who was assigned Berkshire, Hampshire, and Sussex acknowledged that he was unable to carry out Cromwell's instructions. The idea of a standing army was resented, being expensive to maintain, an expense that would be felt by the royalist citizens of the localities through the new, 10% Decimation tax. Localities were used to running their own areas, consistently rejecting influence from Central Government even before Cromwell. Attempting to impose central authority through figures that the locals would naturally dislike and believing that it would be successful was nothing short of foolishly optimistic. The public outcry to the rule of the Major Generals perfectly highlights the societal reaction to Cromwell's changes. It upset the conservative nature of their local government, it played on the resentment of the army that had only grown over the course of the English Civil War, and the laws imposed of them banning inns and alcohol disrupted the day-to-day life of these insular communities. They didn't want their day-to-day lives disrupted by someone with an ideology that didn't match their rural sensibilities, especially when it was imposed on a politically unaware public without warning.

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Part 2: Lessons from Aesop (Not posted)
      


[1] Tumath, A. Today in History from A New History Podcast, 30th January: The Execution of Charles I
[Accessed 1st February 2013 via iTunes podcasts]
[2] D'Aubigne, J.H.M. The Protector: A Vindication (1848) Kindle Version- 52%
[3] Lynch, M. In the Interregnum (2008)- Pg 60
[4] Fraser, A. (2008) Cromwell, Our Chief of Men, Kindle Version- 3%


Bibliography

Cabal Ministry-Wikipedia [online]

http://en.wikipedia.org/wiki/Cabal_Ministry

[Accessed 19th January 2013]


Charles II of England-Wikipedia [online]

http://en.wikipedia.org/wiki/Charles_II_of_England

 [Accessed 19th January 2013]



Charles II- BBC History [online]

http://www.bbc.co.uk/history/historic_figures/charles_ii_king.shtml

[Accessed 13th December 2012]



Black, J. Georges I & II: Limited Monarchs. Published in History Today Volume 5, Issue 2 2011 [online]

http://www.historytoday.com/jeremy-black/georges-i-ii-limited-monarchs

[Accessed 26th February 2013]



D'Aubigne, J.H.M. The Protector: A Vindication (1848) Kindle Version



Falkus, C. The Life and Times of Charles II (1984)



Fraser, A. (2008) Cromwell, Our Chief of Men, Kindle Version



George I-Wikipedia [online]

http://en.wikipedia.org/wiki/George_I_of_Great_Britain

[Accessed 29th December 2012]



George II-Wikipedia [online]

http://en.wikipedia.org/wiki/George_II_of_Great_Britain

[Accessed 29th December 2012]



Goldie, M. The Bill of Rights, 1688 and 1998. Published in History Today Volume 48, issue: 9[online] http://www.historytoday.com/mark-goldie/bill-rights-1689-and-1998

[Accessed 27 February 2013]



Goodlad, G. Charles II and the Politics of Survival. Published in History Review 2010 [online]

 http://www.historytoday.com/graham-goodlad/charles-ii-and-politics-survival

[Accessed 27 February 2013]



Lynch, M. In the Interregnum (2008)



O'Gorman, F. The Long Eighteenth Century British Political& Social History 1688-1832 (2009)



Oliver Cromwell-Wikipedia [online]

http://en.wikipedia.org/wiki/Oliver_Cromwell

[Accessed 19th November 2012]


Richard Cromwell-Wikipedia [online]

 http://en.wikipedia.org/wiki/Richard_Cromwell

[Accessed 17th January 2013]



Smith, D.L. A History of the Modern British Isles 1603-1707 The Double Crown (2002)


Tumath, A. Today in History from A New History Podcast, 16th June: John Churchill, The Duke of Marlborough

[Accessed 1st February 2013 via iTunes podcasts]



 Tumath, A. Today in History from A New History Podcast, 26th August: Robert Walpole

 [Accessed 2nd February 2013 via iTunes podcasts]


Tumath, A. Today in History from A New History Podcast, 30th January: The Execution of Charles I

[Accessed 1st February 2013 via iTunes podcasts]



Wilkinson, R. Queen Anne. Published in History Review 1998 [online]

http://www.historytoday.com/richard-wilkinson/queen-anne

[Accessed 26 February 2013]



William III- Wikipedia [online]

http://en.wikipedia.org/wiki/William_III_of_England

[Accessed 29th December 2012]



Monday, 22 April 2013

Exams, Monologues, and Literature, oh my!

Part 1: Exams

Yup, it's that time of the year again. Exam season. And you know what? This time the grades that I get actually count for something. As in, if I do well in these exams, I've got a place at one of the UK's top universities. If I don't, then I'm screwed. So yeah, pressure. Here's to hoping I can get that AAB!

Part 2: Monologues

My audition monologues may not have gotten me into drama school, but I don't want all that hard work to go to waste. Following exam season, I shall upload renditions of my four favourite monologues: Hippolita from 'Tis Pity She's a Whore; Titania from Midsummer Night's Dream; Rosalind from As You Like It; and Queen Margaret from...well, pretty much all of Shakespeare's histories, but more specifically Henry VI Part III

...Remind me why Juliet is the Classical monologue that everyone knows and jumps at?

Part 3: Literature.

I'm considering starting up a series of posts, yet again, after exam season, discussing my responses and interpretations of different plays, poems, and novels, everything from Young Adult to Gothic Horror. These interpretations and 'essays', if you will, will be open for any students, such as myself, to use as sources and critics for coursework. I'll mainly be doing this to improve my essay writing skills between 6th Form and Uni, but I understand how hard it can be to find literary critics with alternative or otherwise out there interpretations of texts.

And now this is in a blog post, I guess I have to commit. Permission granted to e-slap me if I don't pop up again around August time

P.S- My Blogger commenting is really glitchy, as in, I can't respond to comments. Sorry guys :(

Monday, 1 April 2013

Posts without a plan

Oh god, I hate exam season so so much. It's annoying to the point where I can't even plan a blog post, let alone write one! I'll get a little bit of inspiration, and then, as if by magic, poof! It's gone.

Take, for example, the other day. I had a great idea for a post, 'What is worthy literature?' I knew what my argument was, I knew exactly how I was going to express it. However, when it came to planning out my argument in stages my mind went blank. It is such a pain, because this thing is finally beginning to get some regular readers, which is admittedly strange to me- Why on earth would you want to read this blog of un-planned, pseudo-sarcastic mess? Not only that, but when you Google 'Teenage life blog' I'm one of the first results, and I have absolutely no idea how.

I don't know. Maybe I'll post you my character's journal from Skyrim, one thing that I am actually able to write without blocking up horribly, or a couple of screenshot from my latest picture. What say you?

Monday, 28 January 2013

'Oh it is excellent to have a giant's strength, but it is tyrannous to use it like a giant'- Or 'Auditions. Fuckity buggery balls'

I had my first audition for theatre school yesterday. As in my first, real, semi professional audition that actually had some weighting on how my life would turn out in the future. Needless to say I was nervous, I woke up early, sweaty and panicky. For the first half of the two-and-a-bit hour journey to Liverpool I was shitting bricks, for the second half I managed to calm down a little; we were playing Led Zep, so there you go.

In fact, now that I think about it, my nerves were on an absolute roller coaster ride. When I got there, my nerves kicked in, my hands were shaking terribly and I began to hyperventilate. You know, as you do. I registered, got my audition time, and then me and my Dad wandered around the premises. My God, LIPA is perfect for me. The ceilings are sweeping, the auditoriums versatile. The staircases were nothing short of grand, if a little steep, and everything was prim and clean- There was even a box office! I went through my lines a couple of time, and relaxed. This was a place that I could imagine spending my next three years of education. After a quick talk with the tutors (who oh-so kindly revealed that there had been over 2000 applicants, although they neglected to mention how many audition days they were running, from what I could gather, 200 attended on the same day I did) we were split into groups to tour the full extent of the facilities. Classrooms, auditoriums, sound rooms, music rooms, practice rooms, a bridge (bitches love bridges), libraries, study rooms, a bar! LIPA has the lot. I was sold. This place was amazing. Of course, I haven't toured the facilities of the other Drama Schools I'm applying for, but I realised quickly that this place felt right.

Following the tour, I sat down and talked to a few other girls (I'm sorry I forgot to ask your names!) and then went up to the workshop run by two third year students. I'm not going to lie, they're not your stereotypical theatre school students. They were calm, relaxed, easy going and willing to have a bit of a laugh. After the rather fun work shop which involved a lot of running around and throwing, it was time to wait for my audition.

First things first, remember what my wonderful theatre group leader, Sheila told me. Blank out everyone else, don't let their nerves get to you. For the most part, I managed to. I listened to my music, stayed in my own little world as a girl ran out in tears, as each person walked out the audition room with swagger (not swag you sillies) or a painfully defeated look. I would be up in two auditions I discovered. I took my earphones out. That's when he got to me, this student who couldn't stop going on about how nervous he was. It got to me. He went in, came out, I was called in.

I was nervous now. Cheers for that mate. I'm not going to give you the specifics of my audition, I think my Isabella monologue went alright, but it was far from being my best performance. Catherine (Memory of Water) was better, but I discovered that one of the auditioners had directed it, so that put me more than a little on edge. I stumbled through my devised piece, although I seemed to get a few smiles when I mentioned how I had relaxed the night before- You know, slaying dragons and shit. With that said, I left.

Now it's just a waiting game. I'm going to be honest, I don't think that my performances warrant a recall audition, I don't think I've got in. I don't think I let my personality shine through, even though I tried my best to be myself. Here's to hoping, but I know that if I get through to the next round, it'll be because of Skyrim.

And probably my minor acting credits. That as well.

But mostly Skyrim

EDIT: I didn't get a recall. If I'm honest, it was to be expected, (Skyrim, why didn't you save me?!)

Saturday, 29 December 2012

The iTunes Challenge

Now, lots of us have a lot of music stored on our computer, and I mean a lot. And a lot of the time, we don't listen to half of it, instead picking out a few of our favourite artists without giving anything new a try. Me? I have 14 days worth of music and I can guarantee I have not listened to all of it. So, throughout this summer holiday I am going to try and listen to my entire music library. All of it. No matter which artist I want to listen to, I shall go through my library alphabetically. I'm sure I'll find some hidden gems! So, without further ado, may I present to you the iTunes challenge

Rules
-You must go through your music library in alphabetical order
-You cannot skip a track, no matter how embarrassing it may be to listen to
-At the end of each day you must record how many hours of music you've listened to, which artists you've listened to, and how many songs you've listened to.

Now, enjoy mine :)

Day 1- 29th July

Number of Hours: 7
Number of Songs: 100
Artists Played: AC/DC
Aerial
Aerosmith
Aetherius
Airbourne
Alex Day
Alice Cooper
Alice in Chains
Anathema

Day 2- 30th July

Number of Hours: 2 
Number of Songs: 22 
Artists Played: Anathema
The Answer
Aquarius Moon
Astra

Day 3- 31st July

Number of Hours: 3.5 
Number of Songs: 41 
Artists Played: Atonika
Ayreon

Day 4- 1st August

Number of Hours: 8.2 
Number of Songs: 88 
Artists Played: Ayreon
Badlands
Bat For Lashes
Bellowhead
BigElf

Day 5- 2nd August

Number of Hours: 6 
Number of Songs: 80 
Artists Played: BigElf
Black Country Communion
Black Sabbath
Black Tide
Blackfield
Blink-182
Butthole Surfers
Camel

 Day 6- 3rd August 

Number of Hours: 10.2 
Number of Songs: 145 
Artists Played: Camel
Canniblast
Captain Beefheart and his Magic Band
The Cardigans
Chiasm
Chickenfoot
Children of Bodom
Chiodos
Chris Cornell
Chris Isaak
Christina Augilera, Lil' Kim, Pink, Mya & Missy Elliot
Christina Perri
Clutch
Coheed and Cambria
Cradle of Filth
Crippled Black Phoenix
Cynic
Daniel Ash
Darling Violetta
The Dear Hunter

 Day 7- 4th August 

Number of Hours: 4 
Number of Songs: 48 
Artists Played: Death in Vegas
Deep Purple
Delain

Day 8- 5th August

Number of Hours: 7.8
Number of Songs: 77
Artists Played: Delain
Des'ree
Devin Townsend
DeVotchKa
Dio
The Dirty One
Disney
The Divinyls
DJ Casper
DJ Otzi
Dollhouse

Day 9- 6th August

Number of Hours: 3.6
Number of Songs: 26
Artists Played: Dream Theater

Day 10- 7th August

Number of Hours: 6.1
Number of Songs: 47
Artists Played: Dream Theater

Day 11- 8th August

Number of Hours: 3.8
Number of Songs: 33
Artists Played: Dream Theater

Day 12- 9th August

Number of Hours: 5.3
Number of Songs: 40
Artists Played: Dream Theater

Day 13- 10th August

Number of Hours: 5
Number of Songs: 31
Artists Played: Dream Theater

Day 14- 11th August

Number of Hours: 2.4
Number of Songs: 13
Artists Played: Dream Theater

Day 15- 16th August

Number of Hours: 2.5
Number of Songs: 16
Artists Played: Dream Theater


Day 16- 17th August

Number of Hours: 2.4
Number of Songs: 21
Artists Played: Dream Theater

Day 17- 25th August

Number of Hours: 2.6
Number of Songs: 25
Artists Played: Dream Theater
Dredg
Dual Prophets
Eden's Curse

Day 18- 26th August

Number of Hours: 4.1
Number of Songs: 54
Artists Played: Eden's Curse
Effloresce
Eiffel 65
Elbow
Elena Cats Chernin
Emerson, Lake, & Palmer
Emilie Autumn

Day 19- 27th August

Number of Hours: 8.9
Number of Songs: 127
Artists Played: Emilie Autumn
Eva Cassidy
Evanescense
Everclear
Fans of Friction
Final Moon
Fleetwood Mac
Focus
Foo Fighters

Day 20- 28th August

Number of Hours: 8.7
Number of Songs: 98
Artists Played: Foo Fighters
Frameshift
Frost*
Funny Fax
Garbage
Gavin Friday
Genisis
Genitorturers
God of War
Godsmack


 Day 21- 29th August

Number of Hours: 7.2
Number of Songs: 122
Artists Played: Godsmack
Gorillaz
Guinea Pigs
Gummy Bear
Guns 'n' Roses
Halcyon
Half Life 2
Hard-Fi
Hawkwind
Hayseed Dixie
Heaven's Basement
Heaven & Hell
Helloween
Ideosphere
In Glass Houses
Infernal
Iron Maiden


 Day 22- 30th August

Number of Hours: 8.2
Number of Songs: 114
Artists Played: Iron Maiden
Isle 15
James LaBrie
Jefferson Airplane
Jeremy Soule
Jethro Tull

 Day 23- 31st August

Number of Hours: 1.8
Number of Songs: 26
Artists Played: Jethro Tull

 Day 24- 1st September

Number of Hours: 4.3
Number of Songs: 57
Artists Played: Jethro Tull 

 Day 25- 2nd September

Number of Hours: 2.2
Number of Songs: 29
Artists Played: Jethro Tull

 Day 26- 3rd September

Number of Hours: 7.6
Number of Songs: 88
Artists Played: Jethro Tull

 Day 27- 4th September

Number of Hours: 5.1
Number of Songs: 53
Artists Played: Jethro Tull
John Murphy
John Petrucci
John Petrucci & Jordan Rudess
John Williams

 Day 28- 5th September

Number of Hours: 1.2
Number of Songs: 14
Artists Played: John Williams

 Day 29- 7th September

Number of Hours: 2.1
Number of Songs: 28
Artists Played: John Williams

 Day 30- 8th September

Number of Hours: 3.3
Number of Songs: 49
Artists Played: John Williams
Jordan Rudess

 Day 31- 9th September

Number of Hours: 3.6
Number of Songs: 42
Artists Played: Jordan Rudess
Journal
Judas Priest

 Day 32- 10th September

Number of Hours: 3.6
Number of Songs: 42
Artists Played: Judas Priest
Killroom
Kimbra
King Crimson

 Day 33- 11th September

Number of Hours: 1.6
Number of Songs: 19
Artists Played: King Crimson
Kings of None
Kiss
Korn
Kim Mazelle
Lacuna Coil
Lana Del Rey

 Day 34- 13th September

Number of Hours: 2.5
Number of Songs: 34
Artists Played: Lana Del Rey
Las Ketchup
Laura Marie
Lazytown
Led Zeppelin

 Day 35- 14th September

Number of Hours: 4
Number of Songs: 44
Artists Played: Led Zeppelin
Liam Gaughan
Linger In Shadows
Liquid Tension Experiment

 Day 36- 16th September

Number of Hours: 1.7
Number of Songs: 11
Artists Played: Liquid Tension Experiment
Lisa Miskovsky
Llama Llama
Long Distance Calling

 Day 37- 17th September

Number of Hours: 1.1
Number of Songs: 14
Artists Played: Long Distance Calling
The Lord of the Rings

 Day 38- 20th September

Number of Hours: 3.7
Number of Songs: 48
Artists Played: The Lord of the Rings
Lost
Lou Bega
LUDO
Ludovico Einaudi
Magnum
Mama Cass Elliot
Marilyn Manson

 Day 39- 21st September

Number of Hours: 3.7
Number of Songs: 50
Artists Played: Marilyn Manson
Massive Attack
Mastodon
Matt Barker
Matt Loveridge
Meatloaf

 Day 40- 22nd September

Number of Hours: 7
Number of Songs: 80
Artists Played: Meatloaf
Megadeth
Metal Gear Solid
Metallica

 Day 41- 23rd September

Number of Hours: 2.4
Number of Songs: 22
Artists Played: Metallica

 Day 42- 28th September

Number of Hours: 4.2
Number of Songs: 47
Artists Played: Metallica

 Day 43- 29th September

Number of Hours: 5
Number of Songs: 50
Artists Played: Metallica

 Day 44- 30th September

Number of Hours: 4
Number of Songs: 55
Artists Played: Metallica
Michael Buble
Michael the Turtle
The Mighty Boosh
MIKA
Mindless Self Indulgence
Ministry
Moby
Monty Python
Mr Mitchell
Mundy
Muse

 Day 44- 1st October

Number of Hours: 50.1 (Minutes)
Number of Songs: 13
Artists Played: Muse

 Day 45- 4th October

Number of Hours: 1.9
Number of Songs: 26
Artists Played: Muse

 Day 46- 5th October

Number of Hours: 1.8
Number of Songs: 33
Artists Played: Muse
Mutiny Within
Neil McDougal
Newton Faulkner
Nickelback
Nirvana

 Day 47- 8th October

Number of Hours: 1.8
Number of Songs: 30
Artists Played: Nirvana

 Day 48- 9th October

Number of Hours: 1.7
Number of Songs: 23
Artists Played: No-Man
Noriko Matsueda
O-Zone
O2
Oasis

 Day 49- 14th October

Number of Hours: 4.6

Number of Songs: 37
Artists Played: One Hit Wonders
One Inch Punch
Opeth

 Day 50- 15th October

Number of Hours: 2.1

Number of Songs: 16
Artists Played: Opeth


 Day 51- 20th October

Number of Hours: 4.8

Number of Songs: 35
Artists Played: Opeth

 Day 52- 21st October

Number of Hours: 2.3

Number of Songs: 21
Artists Played: Opeth
Ordem Inversa
Ozzy Osbourne

 Day 53- 22nd October

Number of Hours: 2.3

Number of Songs: 27
Artists Played: Ozzy Osbourne
Pain of Salvation

 Day 54- 23rd October

Number of Hours: 2.3

Number of Songs: 24
Artists Played: Pain of Salvation

 Day 55- 28th October

Number of Hours: 9.7

Number of Songs: 125
Artists Played: Pain of Salvation
Pandora's Box
Panic! At the Disco
Pantera
Paradigm Indifference Syndrome
The Partridge Family
PeacePerception
Pearl Jam
Pendulam

Day 56- 31st October

Number of Hours: 8.1

Number of Songs: 108
Artists Played: A Perfect Circle
Peter Gabriel

Day 57- 10th November

Number of Hours: 12.2
Number of Songs: 137
Artists Played: Peter Gabriel
Phoenix Wright Musical Project
Pink
Pink Floyd
Pipo & Elo

Day 58- 16th November

Number of Hours: 8.5
Number of Songs: 92
Artists Played: Pipo & Elo
Pirates of the Carribbean
Poets of the Fall
Porcupine Tree

Day 59- 22nd November

Number of Hours:12.7
Number of Songs: 174
Artists Played: Porcupine Tree
Portal
The Posies
Procol Harem
Prophecy Within
Queen
Queensryche
Quindon Tarver
Radiohead

Day 60- 1st December

Number of Hours:10.4
Number of Songs: 142
Artists Played: The Reasoning
Red Hot Chilli Peppers
Relocator
The Ridgeways
Rik Schaffer
Romeo & Juliet
Rooster
Rush
Rusted Root
Rylan Finch
S.A. Adams
Sanity not Included
Santeria
Scale the Summit
Scatman John
Sepultura

Day 61- 3rd December

Number of Hours: 2.2
Number of Songs: 39
Artists Played: Sepultura
Sigur Ros
Silent Hill
Skunk Anansie

Day 62- 6th December

Number of Hours: 4.3
Number of Songs: 58
Artists Played: Skunk Anansie
Slipknot
Smashing Pumpkins
Snow Patrol
Soundgarden
Speedycake
Spock's Beard

Day 63- 7th December

Number of Hours: 8.5
Number of Songs: 84
Artists Played: Spock's Beard

Day 64- 8th December

Number of Hours: 2.7
Number of Songs: 35
Artists Played: Spock's Beard

Day 65- 11th December

Number of Hours: 3.5
Number of Songs: 33
Artists Played: Spock's Beard
Stephen Lynch

Day 66- 14th December

Number of Hours: 2.6
Number of Songs: 41
Artists Played: Stephen Lynch
Still
Stina Nordenstam
The Stone Roses
Stormwatch
Susanne Sundfor

Day 67- 17th December

Number of Hours: 1.5
Number of Songs: 20
Artists Played: Susanne Sundfor
Symphony X

Day 68- 19th December

Number of Hours: 1.3
Number of Songs: 21
Artists Played: T-Rex
Ted Nugent feat. Meatloaf
Terrorvision
Tesla

Day 64- 8th December

Number of Hours: 2.1
Number of Songs: 31
Artists Played:  Tesla
Thomas Newman
Thunder

Day 65- 10th December

Number of Hours: 4.2
Number of Songs: 43
Artists Played: Thunder
Time and Tenson
Tiny Tim
Transatlantic
Trivium

Day 66- 15th December

Number of Hours: 3
Number of Songs: 46
Artists Played: UFO
Unkle
Urban Voodoo Machine
Vampire the Masquerade: Bloodlines

Day 67- 17th December

Number of Hours: 3.2
Number of Songs: 42
Artists Played: Vampire the Masquerade: Bloodlines
Vampire Weekend
Van Halen
Vengaboys
Vitamin String Quartet
Vixen
Voltaire
Von Hertzen Brothers
The Wannadies
War of the Worlds

Day 68- 20th December

Number of Hours: 1.9
Number of Songs: 20
Artists Played:  The War of the Worlds
The Who

Day 69- 23rd December

Number of Hours: 2
Number of Songs: 25
Artists Played:  The Who
Wigfield
The Wildhearts
Will Smith
Within Temptation

Day 70- 27th December

Number of Hours: 4.5
Number of Songs: 55
Artists Played: Within Temptation

Day 71- 28th December

Number of Hours: 2.6
Number of Songs: 29
Artists Played: Within Temptation
Yes
Yohisha Hirano
30 Seconds to Mars
3oh!3

Ladies and gentlemen, that concludes my laborious foray into the deepest, darkest recesses of my iTunes, thank you, and, goodnight!